After two divisive and finally failed makes an attempt to revitalize the Predator franchise within the 2010s, twentieth Century Studios discovered its stride with 2022’s Prey. Whereas sadly locked to Hulu on account of the Disney-Fox merger, that movie was met with such a powerful reception that it gave the sci-fi horror franchise the increase it’d been needing. Now, the studio is retaining that momentum going with two initiatives in 2025: Predator: Badlands in November, and this week’s animated Killer of Killers.
Past their being linked by returning Prey director Dan Trachtenberg (co-directing right here with Josh Wassung, and dealing off a script by Micho Robert Rutale from a narrative by Rutale and Trachtenberg), this future trilogy appears to have been made with the intent of bringing a selected set of concepts and ideas for the Predator franchise to fruition. By itself, that’s not shocking, because the franchise tried this earlier than with its 2018 movie, and its sibling collection Alien additionally lately made this identical play with 2024’s Alien: Romulus.
What makes all of the distinction is how a lot Trachtenberg, Wassung, and Rutare make an earnest effort to let Killer of Killers operate as its personal work that’s knowledgeable by, however not reliant on, its predecessor, whilst the 2 can’t assist however be in dialog with each other. And as with Prey, the tip result’s a undertaking that succeeds at almost every little thing it units out to do, a lot that it’s a disgrace it may well’t get the total, theatrical rollout one thing as enjoyable and elegant as this virtually undoubtedly deserves.
Like prior movies, Killer focuses on a solid of people enacting violence on their fellow man simply earlier than a technologically superior alien from one other world immediately arrives trying to shed some blood. Whereas Prey took its time exhibiting how Naru and its Predator each moved via the area of the 1719 Nice Plains, Killer is extra fast-paced. It is a film that prioritizes motion and gore over rigidity, however that’s not as a lot of a betrayal because it sounds. That motion can usually be tense, each in how viscerally violent it’s and in how relentless the Predators are in pursuit of their targets. It helps that co-directors Trachtenberg and Wassung have introduced over a key a part of what made that earlier movie such a delight: the constantly shifting energy dynamics between the hunters and the poor souls they’ve set their sights on.
Every of the three tales—841 AD’s “The Defend;” “The Sword,” set in 1629 Japan; and “The Bullet,” set in WWII’s North Pacific—run 20 minutes and play out roughly as you’d count on primarily based on their setting. That predictability and narrative slightness finally ends up working in Killer of Killers’ favor, since most important characters Ursa (Lindsay LaVanchy), ninja Kenji (Louis Ozawa), and pilot John Torres (Rick Gonzalez) get simply sufficient backstory to tell their private plights and make them compelling even earlier than their respective Predators enter the image. Ursa and Kenji’s tales are extra somber, not completely not like Naru’s in Prey.
Conversely, Torres is a significantly chattier character, and his story has extra humorous beats. That has the potential to feeling like too sharp a distinction, however by the point his story comes, the movie’s earned sufficient goodwill that it doesn’t undermine issues, and the eventual payoff for what every little thing has constructed as much as is satisfying and enjoyable in its personal proper.
What unites the trio thematically is their potential to outwit the aliens trying so as to add some new spines to their collections. Predator films have at all times been thought-about slashers the place the victims are simply as succesful as they’re helpless, and that via line continues in Killers. The movie takes full benefit of its particular person settings to indicate how the people come to know and rapidly adapt to the Predators’ bag of methods, and the options they every give you to show the tide of battle (and even simply to get a breather) are fairly intelligent. The Predators themselves are a pleasant, various bunch, and whereas not as characterised as Prey’s Feral hunter, they’ve an analogous curiosity and imply streak that imbues them with simply sufficient character.
Visually, Killer is a reasonably good film to take a look at, made extra spectacular by this being the collection’ first full foray into animation. The CG/3D artwork model is paying homage to Arcane, however animated at a body price much like Ninja Turtles: Mutant Mayhem, giving particular person actions a selected weight. For a film with loads of motion, twentieth Century Animation and Third Flooring have give you a number of spectacular battle scenes that’ll really feel acquainted however are pulled off with a formidable quantity of flourish and gore that it received’t matter. (A protracted take involving Ursa and her raiders is only one of a number of fist-pumping highlights all through.) And when it’s not exhibiting off how bloody fights with the Predator might be, the movie is exhibiting off spectacular vistas and offering such scale that it’s once more a disgrace this may’t ever come to the large display.

The energy of its particular person tales would make Killer of Killers worthwhile by itself, however its ultimate act brings issues residence with one enjoyable beat after one other that feels just like the staff needed to get every little thing they might into this undertaking. By the point it’s laid down all of the playing cards and revealed what every little thing’s all been constructing as much as and the place it might go subsequent, it’s straightforward to come back away impressed at how confident and assured it carries itself all the time. Reside-action franchises can stumble after they take unique holidays to the world of animation, however that’s not the case right here—this movie’s greater than bought the products and is a fantastic addition to the Predator’s latest resurgence.
Additionally starring Michael Biehn, Predator: Killer of Killers arrives June 6 on Hulu.
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